Sabrina Carpenter Slams White House for Using Her Song in Video

UPDATE: Pop star Sabrina Carpenter has publicly condemned the White House after her song “Juno” was used in a controversial video depicting law enforcement apprehending individuals during immigration actions. Carpenter labeled the video as “evil and disgusting” in a scathing post on X, urging the administration to “never involve me or my music to benefit your inhumane agenda.”

The video, which remains available on both X and TikTok as of late Tuesday afternoon, has drawn significant backlash. Carpenter’s representatives referred all inquiries to her social media post, highlighting the immediate emotional impact of the situation on the artist and her fans.

In a bold response, the White House fired back, using Carpenter’s own lyrics to defend their actions. Spokesperson Abigail Jackson stated, “Here’s a Short n’ Sweet message for Sabrina Carpenter: we won’t apologize for deporting dangerous criminal illegal murderers, rapists, and pedophiles from our country.” The statement reflects the administration’s ongoing stance on immigration and law enforcement.

This incident follows a troubling pattern for the White House, which has previously faced criticism for using artists’ music without consent. Notably, last month, the Department of Homeland Security faced backlash for using Olivia Rodrigo‘s song “All-American Bitch” in a similar context, prompting Rodrigo to declare, “Don’t ever use my songs to promote your racist, hateful propaganda.”

The controversy surrounding Carpenter’s song has sparked conversations about artists’ rights and the ethical implications of using their work. Many high-profile musicians, including Celine Dion, Bruce Springsteen, and Beyoncé, have objected to the use of their music by the Trump administration in the past.

As the situation develops, it raises crucial questions about the intersection of art and politics. Fans and supporters of Carpenter are encouraged to engage with the issue, highlighting the importance of artists having control over their music and how it is utilized in public discourse.

With the White House’s use of Carpenter’s song igniting heated discussions, all eyes remain on both the artist and the administration for potential further developments. The ongoing dialogue underscores the powerful role of music in shaping societal narratives and the responsibilities that come with it.

Stay tuned for more updates on this evolving story, as it continues to resonate across social media platforms and beyond.