Chicago Symphony Orchestra Dazzles with Berlioz Under Mäkelä

URGENT UPDATE: The Chicago Symphony Orchestra (CSO) delivered a stunning performance of Hector Berlioz’s renowned Symphonie fantastique on Thursday evening, marking a significant moment in the early 2025-26 season under the direction of music director designate Klaus Mäkelä. The concert, held at the prestigious Chicago Symphony Center, showcased the orchestra’s exceptional talent and highlighted Mäkelä’s burgeoning relationship with the ensemble.

As Mäkelä, just 29 years old, embarks on his journey with the CSO, the energy and enthusiasm of the musicians were palpable. The concert served not only as a showcase of virtuosity but also as a testament to the musicians’ commitment to their new conductor. With no short pieces to warm up the audience, the CSO delved straight into a robust program featuring two major works by Berlioz, including the 40-minute Symphonie fantastique and the equally expansive Harold in Italy, Op. 16.

The audience responded with fervent cheers after each piece, signaling a strong connection with the music and performers. Mäkelä’s dynamic conducting style, which he executed from memory, allowed for a more intimate connection with the orchestra. This choice, rather than demonstrating ego, reflected his desire to engage directly with the musicians, enhancing the performance’s overall impact.

In a creative programming decision, Mäkelä paired the two Berlioz works, presenting them as complementary chapters in a musical narrative.

“The evening was undeniably involving, and, yes, fun,”

remarked an audience member, reflecting the overall sentiment of the crowd.

The highlight of the evening was the guest soloist Antoine Tamestit, a renowned viola player who brought a lighter-than-expected sound to Harold in Italy. His vibrant playing captivated the audience as he weaved through the piece with a theatrical flair, even entering from the back of the orchestra. After a rousing ovation, Tamestit returned for a quick encore, performing a transcription of J.S. Bach’s Cello Suite No. 1, much to the delight of the crowd.

Mäkelä’s interpretation of the Symphonie fantastique was equally impressive. The CSO delivered a bright and varied rendition, showcasing the orchestra’s exceptional brass section, led by new principal trombonist Timothy Higgins and principal trumpeter Esteban Batallán. The performance featured intricate and surprising orchestrations, including a stunning duet between Tamestit and guest harpist Emily Levin of the Dallas Symphony.

The concert not only displayed Mäkelä’s artistic vision but also set the stage for his tenure, which officially begins in September 2027. As this artistic partnership develops, audiences can look forward to more exhilarating performances that blend energy, creativity, and deep musical insight.

As the CSO continues its season, fans will be eager to see how Mäkelä shapes the future of this storied orchestra. Stay tuned for updates on upcoming concerts and further insights into Mäkelä’s innovative approach to conducting.