Inside Hollywood’s Color Grading Revolution: A Hidden Art

A quiet revolution is taking place in the film industry, led by the unseen artisans known as colorists. In a dimly lit room at Goldcrest Films in London, senior colorist Adam Glasman showcases his expertise in color grading, a craft that shapes the visual narrative of films and television shows. His latest project, the Netflix series House of Guinness, highlights the transformative power of color, as Glasman explains the nuanced palette he developed to differentiate between worlds within the story.

Color grading is a critical yet often underappreciated aspect of filmmaking. It influences the mood and emotional tone of a scene, creating an immersive experience for viewers. “The colorist is the DP’s strongest ally,” says Daphné Polski, producer of the FilmLight Colour Awards. “Color grading shapes the emotion of a film through subtle shifts in hue, contrast, and saturation.” This process, which can take weeks or even months, is essential to crafting a compelling narrative.

The FilmLight Colour Awards, launched in 2021, aim to elevate the recognition of colorists in the film industry. Jacqueline Loran, co-director of FilmLight, emphasizes the importance of showcasing this “beautiful and hidden artform” that enhances the cinematic experience. Glasman is among the few colorists nominated for the awards this year, notably for his work on Robert Eggers’ gothic remake of Nosferatu.

Despite their significant contributions, colorists often lack recognition in industry award shows. They are frequently grouped with visual effects teams on platforms like IMDb. For instance, Greg Fisher’s work on the Oscar-winning film Poor Things exemplifies how color grading can serve a narrative. The film transitions from black and white to vibrant color, paralleling the main character’s evolution. While Fisher received accolades at the FilmLight awards, he remains overlooked in traditional ceremonies.

Cinematographers recognize the value of collaboration with colorists. Mandy Walker, an Oscar-nominated cinematographer, recounts her experience on Elvis, where she established color palettes with her colorist during pre-production. This collaborative process ensures that the visual elements align seamlessly with the film’s narrative and artistic vision.

Color grading has evolved dramatically over the past few decades, adapting to new technologies and audience preferences. Peter Doyle, a renowned colorist with an impressive portfolio, highlights the shift towards digital processes in films like The Matrix and The Lord of the Rings. Today, colorists must navigate multiple markets, including theatrical releases, streaming platforms, and web-based content, often catering to diverse cultural aesthetics.

The increasing demand for colorists reflects a growing appreciation for their craft. Yet, as Doyle notes, traditional awards still do not recognize their contributions fully. Color grading may often occur behind the scenes, but its importance cannot be overstated. “I want people to feel the emotions of what’s going on with the characters,” Walker states, emphasizing that colorists enhance storytelling through their expertise.

The upcoming FilmLight Colour Awards ceremony on November 16, 2025, at the EnergaCAMERIMAGE festival in Poland, promises to spotlight the vital work of colorists. Among the nominees are Kostas Theodosiou for Ryan Coogler’s Sinners, and Tom Poole for his work on the second season of Severance. The awards also recognize emerging talent and innovative projects, emphasizing the need for greater visibility in this essential craft.

As the film industry continues to evolve, the role of colorists remains crucial in shaping cinematic experiences. Glasman, who is currently busy with multiple projects, believes that awards like those from FilmLight help raise the profile of colorists, ensuring their contributions are acknowledged and celebrated. The hidden art of color grading is gradually emerging from the shadows, inviting audiences to appreciate the depth and emotion it brings to visual storytelling.